Showing posts with label publishing. Show all posts
Showing posts with label publishing. Show all posts

Tuesday, September 17, 2019

McAllister Series 2019 Silver Dagger World Book Blog Tour: Sep 17-Oct 17


Here we are, at the kick off for the McAllister Series 2019 Silver Dagger World Book Blog Tour. This is actually the first blog tour I’ve done and it’s kind of terrifying.



What happens on a book blog tour? The blog tour was put out there, managed by Silver Dagger Book Tours, open to anyone and everyone interested in participating. Bloggers sign up and get a free copy of the book(s), in this case four-book McAllister series, in exchange for blogging and/or reviewing the book(s). The idea is to get unbiased reviews and commentary on your books in the hopes readers will discover and love them.

Over the next 31 days 62 bloggers will have unfettered access to read, review, and blog about the four-book McAllister Series. 61 of these people are total strangers! (I recognize one name on the list, but I won’t tell you which one).


Why is it so terrifying? Well, to start these are strangers. Ever heard of “stranger danger”? Of course you have. But this is the author’s version of “stranger danger”. With the single exception, these are people I don’t know. They don’t know me. They have no reason to be nice to me, although this is kind of the point of unbiased reviews. They are not supposed to write rosy blog posts and reviews just to be nice. They are supposed to give the good, the bad, and the ugly of what they really think of your book.

What they say about the McAllister Series is going to tell people whether it’s rubbish or not. (A lot of us writers secretly think everyone else will think our writing is rubbish.) Their views will either possibly potentially maybe hopefully drive readers to actually buy and read your books, or tell them why they should absolutely run the other way and spend their book fund on someone else’s books. And this, getting readers to find your books (and even more so to actually buy them), is no mean feat with the overwhelming exploded at the seams Cthulhu on steroids sized market of available books out there.




It is kind of terrifying. Okay, a lot terrifying. 61 book bloggers over 31 days reading and commenting on my 4-book series. To add to the, ‘will they hate it,’ fear, I’m not entirely a conventional writer. I’m not a follow the rules writer. I don’t conform to the status quo, the norms; the overall expectations of, ‘This is how it has always been done, so this is how you have to do it,’ mindset. I write entirely by the seat of my pants, outlining only after to keep details straight, and use a style, tense, first, second, or third person as it feels it fits the story.


So yes, I am going into this with that little bit queasy feeling of dread. The dark pall of knowing you are about to find out what people (who you don’t know) are going to actually think of your books that you labored so many hours over, putting pieces of your soul that you will never get back into (literally, I AM an author of dark fiction, after all). Half of me thinks they will hate them. The bigger half. A little piece is in wonder and awe. People, strangers, are going to read them. That makes the fearful half grow. Somewhere in there the writer in you tries to find the silver dollar, the silver lining, the little golden nugget of hope, whatever you want to call it. Maybe they won’t hate it.


Okay, time to push the doubts back into the darkness where they belong and talk about the more interesting than a writer’s self-doubts part of a book blog tour.


Photo by BSD on Unsplash
You, my wonderfully dark-loving readers, if you follow the tour will get to learn little tidbits about the author. That’s right. You get to learn some of my not so dark secrets and inner thoughts.

Part of the tour is a Q & A, which is doled out in bits to the book bloggers to share with their readers. Things like what is my favorite color. Okay, that one wasn’t actually on there, but to share the secret I actually have more than one. I love colors for different reasons. Green; for being the color of summer, green grass, trees, leaves, life living at its fullest. Purple, I just like purple. It’s kind of like a best of worlds in between pinks and reds and blues all melded together. But I do answer some questions about me, me as an author, writing, and writing the McAllister Series.

I tried to make my answers honest and entertaining at the same time. Unfortunately, I’m usually the only one who actually thinks my humor attempts are funny, so please humor me (and forgive the pun).

You also get the inside scoop, and hopefully not too many spoilers, on the stories that make up the four McAllister books.


So let’s kick this thing off, and please try to be gentle with my writer’s self-bruised ego (we authors tend to be our worst cynics, critics, and ego beaters). Visit Silver Dagger Book Tours to see more about the tour and follow the book bloggers’ good, bad, ugly, and hopefully not too dark views on why or why you should not want to read The McAllister Series.

Along with the Silver Dagger kickoff, the first stop today is a blogger called Insane Books. Let’s see what they have to think about the McAllister Series . . . just as soon as I pour this big glass of wine. I think I’m going to need it.


And in the meantime, Old Mill Road is just now brand new sparkling and shiny in a dark horror fiction monster kind of way NEWLY RELEASED! This book is the free giveaway (ebook) part of this book blog tour! (Other available to buy books include Garden Grove, The Gypsy Queen, and, yeah that’s it except for the McAllister Series. I’m working on finishing The Woods for the new year.)







For younger (middle grade/teens) readers of dark drama fiction, you can check out these books by Vivian Munnoch:
The Latchkey Kids
The Latchkey Kids: The Disappearance of Willie Gordon
Madelaine & Mocha




Do you know #WhereTheBodiesAre?



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Sunday, April 19, 2015

It’s All in A (Pen) Name

As most writers have already figured out, names are an important tool in writing.

The name alone, on first impression, can make a character seem weak or strong, nasty or gentle, or even wise or foolish.

As an example, in the old television series Grizzly Adams (the younger generation of writers may never have heard of it), two of the main characters are Grizzly Adams and Gentle Ben.  As his name suggests, the woodsman Adams is a grizzled sort, a rough looking mountain man.  Contrary to his name, he was also kind hearted and ran around saving everybody.  His name also plays on his role as a mountain man and keeper of a pet grizzly bear.  His co-star’s name, Ben, itself seems gentle and calm, more so with adding the prefix Gentle to the name.  If you haven’t figured it out from the description of Adams, Ben is a gentle and peaceful grizzly bear.
The same first impression applies to the titles we give our works.

As the writer, you may agonize over the names of every character, searching for the perfect name.  You also may find yourself agonizing over the name of the story too.

The title of the story is the first thing a reader sees, aside from the cover art.  A bad title can be just as damaging to the image of the book as bad cover art.  That first impression is what will decide whether or not that potential reader will pick up that book to read the back cover blurb or skim the pages, or bypass it to pick up the book beside it instead.

Here are three books that are on Amazon.  You have only a title and cover art to decide.  Which one would you pick up?




But what about the name of the author?
In the same way the book title is the first impression a reader gets of your story, your author name is the first impression they get of you.

For some, living in obscurity and safe from the prying eyes of their fans is preferable.  After all, not everyone is cut out for a life of being recognized, especially if he or she is shy.

For others, an assumed pen name is all about finding the perfect name for the author image they want to put out there with their books.

Some writers would not hear of using anything but their real name on their writing, after all it is their hard work and they deserve the credit.  Right?

Some may even see writing under an assumed name to be akin to hiding behind a mask, as if afraid to let their true identity be known.

Of course, secret identities are not always a bad thing.  Super heroes do it all the time.

Sometimes it is in an author’s best interest to don that mask of invisibility and watch the world through a pseudonym.

The reasons for using your real name vs. a pen name are as numerous and there are authors.


Good vs. Bad Names
Authors and actors alike work under assumed names for many reason.  For some it is because they do not think their real names will cut it.  Maybe they’ve been made fun of as kids and are embarrassed by their real names.  Or they are just looking for a name that pops.  One that stands out as memorable so it will help them get ahead in a business that is almost impossible to break into.


The many rejections of Stephen King
Even Stephen King wrote under a pen name for a while.  Like many other writers, Stephen King also faced his share of rejections before becoming a household name.  I’ve read repeatedly over the years that he turned to the pen name Richard Bachman after being unable to sell a single novel under the name Stephen King.  Mostly that was around the rumour mill.

However, this article http://en.wikipedia.org/wiki/Richard_Bachman refutes that claim, which puts the former in the category of hearsay and gossip.  According to this article and others like it, writing under the pen name was more about getting more books published than the publishers would allow by one author for fear of saturating the market with a single author.  And, perhaps as the article suggests, it was in part an experiment.  After being outed as Richard Bachman and Stephen King being the same person, he went on to write exclusively as Stephen King.


Oh For the Love of Privacy
Of course, another reason for using a false name is to protect the privacy of the writer.  Some writers may be concerned that if they ever make it big their private lives will be put out there for the entire world to see.  Of course with technology and information sharing the way it is today, this will probably happen regardless of attempts to hide behind an assumed name.

However, there are some steps that can be taken to make it harder to find out who you are.  Such as is outlined here:  U.S. copyright office – pseudonyms


Genre Confusion
It may be advisable for any writer publishing in more than one genre to use pen names.

Readers like consistency and reliability.  When they pick up a book by a certain author, they expect that author to follow through on the promise implied by the quality and nature of their other books the reader has read.

It wouldn’t do for Suzy Homemaker to buy Sally Schoolgirl that new chapter book by her favourite author only to discover through the child’s look of horror and disgust that the book is actually an erotica novel.

And a horror novel lover probably won’t be buying your books ever again if that next one turns out to be a sappy 18th century romance.  The same goes for that romance fan who starts reading to discover to her disgust that the twists and turns are about what brutal way the heroine will be murdered instead of whether or not he will kiss her.

So, for the sake both of not alienating your readers, and for your own reputation, it is probably wise to use a different pen name for each genre you publish in.

Of course this does not apply to sub-genres.  Using a different pen name for your thriller mystery with a touch of romance than the one used for your thriller suspense would possibly push all your many pen name aliases into obscurity.


Picking a Pen Name
Picking a pen name can be as hard as picking that perfect baby name, the character name that gives the right impression, or the story title that sells.

Why do you think actors often choose the stage names they use?  Do you think Vin Diesel would have the career he does with his real name Mark Sinclair Vincent?  Not as catchy, huh?  Definitely not when his target audience tends to be teen boys and like-minded men who want to see boobs, guns, and car chases.  And considering the types of role he plays, the stage name gives the characters the right feel.

Your pen name is perhaps just as important as your character names. After all, the character is a fictitious person in a story and may never even be carried over into another story.  But your pen name is the fictitious YOU.  This is your alter ego, your alias.  This is you and the identity you will be known as for all of those stories.  Of course, pen names can be changed and stories can be reprinted under the new name, but if the book became popular under the assumed name, it may be best to keep it as is, especially if you’ve never succeeded in making a name for yourself as yourself.

The same resources that can help you find the right names for your characters can help you find the right name for your pen name.  Sources like online baby name finders and baby name books (helpful if you want something with certain origins or meaning).



Pen Names and Copyrights
While under both Canadian and U.S. intellectual property copyright law your writing is automatically copyright protected through the act of creating it, it’s still basically a big game of he said – she said when a copyright dispute goes to court.  Without any proof it boils down to who comes off as seeming more believable to the judge.

In Canada and the U.S. you cannot copyright a pen name any more than you can a book title.  But using a well-known name of another author might leave others thinking you are only trying to ride their coattails of fame.
It may be interesting to note that according to this U.S. copyright office – pseudonyms, in the U.S. at least, your work is actually copyrighted longer if you file under a pen name and do not let your real name be known than if you do list your real name.  Of course that will only matter to whoever gets your estate after you pass on, since it counts in years after your death.




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Sunday, April 5, 2015

ISBNs – The Books All Have Them, But Why?

Why the Heck Would I Need an ISBN?

Okay, so I have never actually asked myself that question, or asked anyone else.  I have always known what an ISBN is since I was old enough to understand that every book had one.  It is that long number that every printed book has, somewhere on the book cover and on the page inside the front cover listing the copyrights.

Yes, there is more to it than that, but that is all I knew and all I needed to know as a lover of reading books that I had always only picked up off the shelf of a library or used bookstore, at a charity run used book sale, or at a garage sale.  That’s how book lovers feed their reading addiction when they don’t have any money.  I spent years playing at writing before ever becoming seriously involved in actually considering publication as a goal.  There was a lot I did not know, and there is still a lot I need to learn.  Being an author, and a published one, is a never-ending journey of learning.  Just when you think you are getting there, the landscape of publishing changes and you have new things to learn.

For today, the focus is on ISBNs.

All books have them, but why?  What are those ISBN numbers on the copyright page and book jacket of every book for?

ISBN stands for International Standard Book Number.

We should get one thing clear first.  Getting an ISBN is not copyrighting your work.  The ISBN has nothing to do with copyrights and does not guarantee your copyright rights.

The ISBN serves one purpose only – it is a marketing tool.  The ISBN is a catalogue number.

Is an ISBN necessary?  By my research, absolutely not.   At least, not if your publishing intentions are very limited.  You can even epublish on some sites without an ISBN; however it limits your markets.

If you are just going to get a few dozen or a hundred copies of your book printed at a printing company (note I say “printing company”, not “vanity press”.  They are two very different kinds of businesses, and for this purpose I would recommend using a printing service that promises only to create a printed product and nothing else) to give to family and friends, or share them in ebook form through emails or on your blog, then the ISBN is unnecessary.

If you plan to publish through a publishing company or self-publish, in print or ebook, and sell your book in the hope of selling many copies, then you will probably need an ISBN.

If a publisher picks up your book they’ll look after the ISBN.

If you decide to self-publish you’ll need to get one yourself.

Some Ebook sites and self-publishing print services, including Amazon, won’t let you put your book up on their site without an ISBN number.  And that goes whether you are charging $6.99 for your book, $0.99, or offering it for free.

Smashwords will allow you to put your book on their site without an ISBN, but they recommend having one.  Sony and Apple require ISBN’s.  I recommend reading Smashwords’ information on ISBNs before deciding whether to use their free one or get your own.  Note: Smashwords’ free ISBN has Smashwords as the registered publisher and should not be used anywhere else.  In other words, you would need a separate ISBN number for Amazon, Barnes & Noble, etc, rather than to use the free one provided by Smashwords for those sites.  Some of those sites may required their own ISBN number anyway, listing them as the publisher.

Special note:  being listed on the ISBN records as the publisher does NOT make them the publisher.  It just means they are the entity who paid for and registered the ISBN number.

If you are using any kind of a self-publishing printing service or vanity press, they will likely have an option to include the ISBN as part of their services.  But before you go ahead and take their ISBN number you need to answer one question.  Who do you want listed as the publisher?  The printing service or vanity press will most likely be listed as the publisher for the ISBN they provide you.  If you want yourself to be listed as the publisher you have to get the ISBN yourself.


 
What is an ISBN?


ISBN – International Standard Book Number

This basically is just assigning a catalogue number to a book.

The ISBN is broken down into parts.

EAN – Bookland country code.  Apparently books live in a world of their own separate from ours called “Bookland”.  In the land of books, this identifies what country the book comes from.  Luckily for us non-book beings, the numbers also coincide with the countries of our own world.

Group – identifies the language the book is written in

                 Publisher – identifies the publisher of the book (aka the person or business who filed the ISBN number for the book)

            * oddly enough, it seems that when a publisher exhausts its block of ISBNs, instead of receiving an additional block with the same publisher identifying number, they are given a new identifying number for the new block of ISBNs.  I don’t know why this is.

Title – identifies the book title

               Check Digit – this is akin to a spell check for the people assigning ISBNs.  If this number is not what they are looking for, then an error was made.


What the ISBN does is it simplifies a retailer’s search for a particular book.  Making it easier to find your book instead of, say, the same title by another author will make the difference on getting that sale.

You will also need a separate ISBN number for each edition of a book:  one for hardcover, one for paperback, and one for ebook.

If you do minor typographical corrections it is considered a reprint and new ISBNs are not necessary.

If there are major changes, additions, or deletions, then you are publishing a new edition of the book and need a whole new set of ISBNs.



Obtaining the ISBN

Of course, how you obtain your ISBN and what it costs depends entirely on where you are located.

 In the United States, ISBN’s are sold by a commercial company.  Naturally, they charge accordingly.  After all, they aren’t doing it simply to be kind.  After getting your ISBN, it is up to you to have it registered with RR Bowker, the database for the ISBN agency.  www.bowkerlink.com

If you plan to publish a lot, it’s much cheaper per ISBN to get a block of them instead of just one.  Once you have them, you can use them as your books are published, registering the book information at that time.

In Canada, the Canadian government offers the ISBN for free.  Isn’t this just a wonderful country to live in?  Okay, it’s a perk that Canadians enjoy, but it doesn’t make the rest of publishing easier.

Typically, publishers will obtain blocks of ISBNs at a time because of the cost.  This includes small presses and indy publishers, self publishing services, and vanity presses.  In most cases, you can get that ISBN included when you have your book published with them.  It may even be a requirement.



Come and Get Your Free ISBNs!

Some organizations may offer “free” ISBNs or an ISBN as part of a printing package.  One source said that even Bowker, the company in the U.S. where publishers get their ISBN numbers from, offers free individual ISBNs.  However, I haven’t found the Bowker link to confirm this.

AUTHOR BE WARNED:  While it might not cost you a dime for that free ISBN, you are in fact giving up having your own name listed as the publisher.

It sounds pretty dire, doesn’t it?  That is exactly the tone I got from some articles I read on ISBNs.  But it is a tone I disagree with.

You will still be listed on the book as the author.  You are the author and nobody can take that away.  If someone listed themselves as the author of your book, that makes you either a paid ghostwriter by choice, or a victim of plagiarism.  But that is a topic for another day.  You just won’t be listed as the publisher in the records for the ISBN number.  This is a distinction that may be completely unimportant to you since very few people will actually look up your ISBN number to find out who the publisher on record is.  It’s much easier to just read the publisher name on the copyright page at the beginning of the book.

Not being listed as the publisher is entirely to be expected when dealing with an actual paying publisher.  After all, they are the publisher while you are the author, and nowhere in the ISBN is there a number specific to the author of the book.

Publishers are buying the publishing rights to your book, paying you royalties, and will list themselves as the publisher of note.

However, if you are self publishing or publishing through a vanity press (best to be avoided), or through a self-publishing service (different from a vanity press), and are trying to brand yourself as such, then you will probably want to be listed as the publisher.  However, when it comes down to it and nobody except the ISBN people ever see that, it probably really doesn’t matter.


When an organization or individual obtains a block of ISBNs, the publisher digits will be assigned to that organization or individual and are non-transferable.  As I said before, however, being listed in the ISBN records as the publisher really just identifies the company or person who has filed the ISBN, regardless whether they are the actual publishing house, self-published individual, or a publishing provider like Amazon filing on behalf of a publisher or self-published author.

That means, even though you are self-publishing, it will forever be noted in the annals of history within the offices of the ISBN people, aka the records likely no one else will ever see, that for that particular ISBN number XYZ Publisher is the publisher of that book and not you.  Chances are you may end up with multiple ISBN numbers listing various companies as the ‘publisher’ if you a publishing on multiple platforms like Smashwords, Amazon, Barnes & Noble, etc.

On the bright side, you can go through the entire process to get a new ISBN for your book any time you want.

So, while some may argue that you should never to let your self-published book be listed as published by anyone but you on the ISBN records, it really doesn’t matter beyond a personal preference.  All your readers will see is an ISBN number like this, and will never see the information on the paperwork filed away in some dusty filing cabinet:

ISBN 978-1-63066-051-2

(This particular ISBN happens to be for
Where the Bodies Are print edition
published by Second Wind Publishing, LLC.
But you would never know that from just the number)



 ISSN – International Standard Serial Number

This is the same thing as the ISBN, but is for periodical publications (ongoing series), such as magazines or a book series.





 Sources for this article include:



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