Showing posts with label author. Show all posts
Showing posts with label author. Show all posts

Tuesday, September 17, 2019

McAllister Series 2019 Silver Dagger World Book Blog Tour: Sep 17-Oct 17


Here we are, at the kick off for the McAllister Series 2019 Silver Dagger World Book Blog Tour. This is actually the first blog tour I’ve done and it’s kind of terrifying.



What happens on a book blog tour? The blog tour was put out there, managed by Silver Dagger Book Tours, open to anyone and everyone interested in participating. Bloggers sign up and get a free copy of the book(s), in this case four-book McAllister series, in exchange for blogging and/or reviewing the book(s). The idea is to get unbiased reviews and commentary on your books in the hopes readers will discover and love them.

Over the next 31 days 62 bloggers will have unfettered access to read, review, and blog about the four-book McAllister Series. 61 of these people are total strangers! (I recognize one name on the list, but I won’t tell you which one).


Why is it so terrifying? Well, to start these are strangers. Ever heard of “stranger danger”? Of course you have. But this is the author’s version of “stranger danger”. With the single exception, these are people I don’t know. They don’t know me. They have no reason to be nice to me, although this is kind of the point of unbiased reviews. They are not supposed to write rosy blog posts and reviews just to be nice. They are supposed to give the good, the bad, and the ugly of what they really think of your book.

What they say about the McAllister Series is going to tell people whether it’s rubbish or not. (A lot of us writers secretly think everyone else will think our writing is rubbish.) Their views will either possibly potentially maybe hopefully drive readers to actually buy and read your books, or tell them why they should absolutely run the other way and spend their book fund on someone else’s books. And this, getting readers to find your books (and even more so to actually buy them), is no mean feat with the overwhelming exploded at the seams Cthulhu on steroids sized market of available books out there.




It is kind of terrifying. Okay, a lot terrifying. 61 book bloggers over 31 days reading and commenting on my 4-book series. To add to the, ‘will they hate it,’ fear, I’m not entirely a conventional writer. I’m not a follow the rules writer. I don’t conform to the status quo, the norms; the overall expectations of, ‘This is how it has always been done, so this is how you have to do it,’ mindset. I write entirely by the seat of my pants, outlining only after to keep details straight, and use a style, tense, first, second, or third person as it feels it fits the story.


So yes, I am going into this with that little bit queasy feeling of dread. The dark pall of knowing you are about to find out what people (who you don’t know) are going to actually think of your books that you labored so many hours over, putting pieces of your soul that you will never get back into (literally, I AM an author of dark fiction, after all). Half of me thinks they will hate them. The bigger half. A little piece is in wonder and awe. People, strangers, are going to read them. That makes the fearful half grow. Somewhere in there the writer in you tries to find the silver dollar, the silver lining, the little golden nugget of hope, whatever you want to call it. Maybe they won’t hate it.


Okay, time to push the doubts back into the darkness where they belong and talk about the more interesting than a writer’s self-doubts part of a book blog tour.


Photo by BSD on Unsplash
You, my wonderfully dark-loving readers, if you follow the tour will get to learn little tidbits about the author. That’s right. You get to learn some of my not so dark secrets and inner thoughts.

Part of the tour is a Q & A, which is doled out in bits to the book bloggers to share with their readers. Things like what is my favorite color. Okay, that one wasn’t actually on there, but to share the secret I actually have more than one. I love colors for different reasons. Green; for being the color of summer, green grass, trees, leaves, life living at its fullest. Purple, I just like purple. It’s kind of like a best of worlds in between pinks and reds and blues all melded together. But I do answer some questions about me, me as an author, writing, and writing the McAllister Series.

I tried to make my answers honest and entertaining at the same time. Unfortunately, I’m usually the only one who actually thinks my humor attempts are funny, so please humor me (and forgive the pun).

You also get the inside scoop, and hopefully not too many spoilers, on the stories that make up the four McAllister books.


So let’s kick this thing off, and please try to be gentle with my writer’s self-bruised ego (we authors tend to be our worst cynics, critics, and ego beaters). Visit Silver Dagger Book Tours to see more about the tour and follow the book bloggers’ good, bad, ugly, and hopefully not too dark views on why or why you should not want to read The McAllister Series.

Along with the Silver Dagger kickoff, the first stop today is a blogger called Insane Books. Let’s see what they have to think about the McAllister Series . . . just as soon as I pour this big glass of wine. I think I’m going to need it.


And in the meantime, Old Mill Road is just now brand new sparkling and shiny in a dark horror fiction monster kind of way NEWLY RELEASED! This book is the free giveaway (ebook) part of this book blog tour! (Other available to buy books include Garden Grove, The Gypsy Queen, and, yeah that’s it except for the McAllister Series. I’m working on finishing The Woods for the new year.)







For younger (middle grade/teens) readers of dark drama fiction, you can check out these books by Vivian Munnoch:
The Latchkey Kids
The Latchkey Kids: The Disappearance of Willie Gordon
Madelaine & Mocha




Do you know #WhereTheBodiesAre?



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Sunday, August 7, 2016

Book Review: The Girl Who Watched Over Dreams by Jeff Russell

Life for Kat (Doctor Katrina Hammond) is not turning out the way she envisioned.  Despite her misgivings, she agrees that her mother going into E.D.E.N.’s perpetual sleep program is the best choice for her mother, who is suffering from chronic rheumatoid arthritis.

Engulfed with sorrow over her loss of her mother, plagued by doubts about the program, and uncertain about the science and the quality of life her mother will have in a forever dream state, Kat agrees to take a job at E.D.E.N. This, at least, allows her to be near her mother and watch over her.

Soon after taking the job at EDEN, Kat is approached by a reporter, Morgan Brewer, who is investigating EDEN.  Distrusting his role as a reporter and suspicious his interest is only a pretense to get information from her to use against her employer; she unwillingly turns to him when she has no other options.

It doesn’t take Kat long to become suspicious that EDEN is not the idyllic sanctuary promised for the faceless residents of their perpetual sleep program.  There is something darker happening behind the scenes of EDEN, and Kat’s inability to let it go pulls her deeper into that secret.

Jeff Russell creates a believable character in Kat, a recent graduate doctor of Neuroscience.  She is grounded by her newness to the field, filled with enough self-doubt to add to the challenges she faces, and likeable.  As she presses on with her clandestine investigations over her suspicions, she is pulled in opposing directions.  She doubts her own suspicions, becomes newly suspicious of her employer, convinces herself EDEN really is helping, and becomes disturbed again by her discoveries at EDEN.

Jeff Russell does not overburden his medical thriller with technical descriptions, keeping the story flowing and compelling.  I read this story in less time than I usually do, laying back and putting off the things I really should be doing so I could keep reading.


I received a free copy of this book in exchange for my honest review.



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Friday, July 29, 2016

An Interview and a Question: What Does it Take to Make You Feel Like an Author?

strange thing 2
A strange thing happened on the way to the blog.  I received an email out of the blue from someone I’ve never heard of.  That’s not so strange in itself; I get enough spam to feed a spambot until it vomits flowery poetry.

What was strange is that it was a request for an interview.  This wasn’t the usual, “Let’s fill out interview questions and share them on each other’s blogs to cross promote ourselves,” interview request.  This was a straight up, “I want to interview you.”
 It surprised me.  The first thing I did was check the email address it came from.  It looked legitimate.  Then I skimmed (that’s what my eleven year old called it) her online.  I Googled, found and checked profiles on Facebook and LinkedIn, investigating if the person looks legitimate.  She looked legitimate.
uh oh
It was time for the, “Oh, uh, wow?” moment.  Me?  Why me?  Out of all the authors out there?
 Now I had to know.  I’m not a cat, so hopefully curiosity won’t bring me to my swift demise.
 I asked others on one of the author groups what they thought.
 I contacted the young lady requesting the interview to ask those two big questions: Why me? - and - How did you happen to find me?
 Honestly, I didn’t think I would be all that findable without specifically looking for me.
 Her answers were simple.  I’m an author and she got my information from the local writers’ guild, which I’m a member of.

terrorThen I had a moment of terror.  I’ve never had a real interview.  I almost did once on a blog radio show, but it fell through due to technical issues.  We, the interviewers and my fellow intervewee, spanned states and countries.  Something went wrong and we couldn’t call in.  The blog show failed after too, so there was no redo.
 Why does that even matter?  Because, I was in very near to a state of panic.  An actual talking interview with people I have to answer on the spot.  I can’t come back hours later when I think of something that I think sounds clever.
 And now I’m panicking again at the thought of a face-to-face interview.  I would have to try to be clever on the spot.  I can’t do that.  I can write, the words coming effortlessly and fluidly, and sounding marvelous.  I can’t bloody talk.  In fact, I’m pretty sure I sound like a complete moron when I talk.  The words in my head just don’t come out the same way through my mouth.  My brain freezes, I jumble, stumble, and stutter.  I couldn’t do a speech with my eyes glued to the cue cards I’m reading mechanically from.

 leave your comfort zoneTo truly live, you have to step out of your safety zone.  I decided to swallow my anxiety and give it the old college try.
 It made it easier that I wasn’t doing it for myself.  I can’t count the times I opted not to do something because it was just for me.  I’m not used to doing things just for me.
 The young woman interviewing me is from McMaster University. She won funding for a research project exploring the connection between Canadian literature and identity.  I was a stop on her trek across Canada interviewing authors about their craft and sense of identity as Canadians.
 I went to the interview hoping that I would be of help, but still with that nagging doubt pulling on me like a toddler sized imp trying to whisper in my ear, “Why you?”
 I survived the interview and she didn’t look ill listening to my jabbering.  I have to say, the best part of the interview was the end when I gave her a copy of my latest published book, The McAllister Farm.  She was actually excited I gave it to her.

impAfter the interview, that same nasty little imp kept tugging on my shirt hem and whispering my doubts.  Why me?  There are a lot of authors out there, ones people actually heard of and know; authors who sold a lot book books and made bestseller lists, and everything.  Telling me, “You don’t even feel like a real author.”

 magic quill
What does it take to make you feel like an author?  Of course, the simplest answer should be, “You wrote a book,” or, “You published a book.”  If only life were so simple for everyone.

In all the years I spent writing, I’ve always had that nagging doubt.  I’m nobody.  Unknown.  Just some person with a story in her head (okay many stories) that need to get out.  I’m not James Patterson or Stephen King.  I don’t go by the moniker Dean Koontz or any other name anyone would recognize and say, “Hey, that’s an author!”
 I always had the doubt, expecting anyone at any time to say I’m wasting my time, I’m not a “real” author, or that my writing stinks like the rancid breath of the partially desiccated reanimated corpse of a komodo dragon with a dead skunk stuck in its mouth.
 Even after my first book, Where the Bodies Are, was published, doubts remain.  It’s only one book, after all.  But, it can’t be all that bad if someone else found it worthy of publication, right?  I still didn’t feel like a “real” author; which is probably odd, since I would without question think of anyone else who published a single book as a “real” author.
 Now I have a couple of books published, with Indigo Sea Press picking up not only Where the Bodies Are, but also my latest book, The McAllister Farm.
 With published books I now have to count on more than one finger, I still don’t feel authorey; and yes, I did just make up that word.
  intangible personTo me, an author has always been that intangible person on the other side of the book.  The magic behind the story.  Funny, I don’t look or feel magic.  Not mystical in any way.  I’m just me.
 If I had ten published books, I would probably feel the same way.  I’m just me.  Someone asked me to autograph my book she bought and it felt really weird.  I very recently sold a few books to a few people I know and they asked me to sign them.  It felt just as strange, awkward really, in a, “This is a joke, right?” kind of way.  And these were all people I’ve known for years.  I might get sucked into an abyss of weirdness in the floor if an actual stranger wanted me to sign a book.
 I’m not sure what it will take before I feel like a “real author”.  At what point this will happen, if ever.
 I asked my eleven year old what would make her feel like a “real author”.  Her answer: “If my books sold; lots.  A lot of them.”
 I asked my thirteen year old the same question. Her answer: “When a lot of people buy my books and are asking for them, and when I’m making a good profit.  And, when I’m a New York Times bestseller, because all my books are New York Times bestsellers.”
  pose question.jpg
I pose the question to you, and this is all about YOU, not for you to try to convince me that I’m a “real” author.

Authors: What made or would make you feel like a “real author”?
 Readers: What defines a “real author” for you, as opposed to thinking, “Yeah, whatever, so you wrote a book, but you aren’t a real author”?

Let the game begin.
Can you handle a little darkness?
L.V. Gaudet is the author of the McAllister Series and Garden Grove.
Tormented by his inability to stop killing, the killer is taunted by his need to find the one thing he must find ...
where the bodies are
Learn the secret ... behind the bodies and how the man who created the killer became who he is ...
McAllister Farm cover 052316_edited-1 - front cover.jpg
The third book will bring these two stories together for a dramatic climax... but no story truly ends.

Sabotage, vandalism, poisoned work crew, buried bones, and two strange old people ... why is someone trying to stop the new housing development?
Garden Grove Cover - McNally - front cover



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Friday, October 9, 2015

Don’t Love My Characters, Please by L.V. Gaudet

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I do not want you to love my characters.  I am quite serious about that.  I do not even want you to like them.  They are all fallible creatures who do not always do what they should.  They are full of idiosyncrasies, flaws, and sometimes downright poor judgment.
Revile them and admire them.  Root for them to win and cheer when they fall.  Get passionate about getting angry with them.  Pity them and feel vindicated at their suffering.  Share their emotions and their troubles, love them, hate them, and empathize with them.  But please don’t just love them.
A character who seems endearing, drawing you to their side in their pursuit of evil, might just reveal their true driving force is not entirely for purely good reasons.
The victim who you might sympathize with, rooting for when things get rough and cheering them proudly when they rally their strengths to pull him or herself out of trouble, may prove to be more the cause of the trouble than the antagonist is.
The bad guy, committing atrocious behaviors, pulling you into his web of evil until you despise him and want only to see his downfall come to him in a most inglorious way, might throw you with a show of tenderness.  He might just make you sympathize with him when you know you should hate him.
Making characters that draw the reader in is not about making the reader simply love or hate them.  They need to feel what the character feels.  They need to love, hate, and sympathize with that character.  Root for them even as they want to see them fall because you are supposed to want to see the bad guy lose.
Characters do not have to be all good or all bad.  In fact, I would say they should never be all one or the other.  They should be a complex layering of traits that include both.  Even the vilest creature has feelings; dreams and desires, loss and sorrow, loneliness and love.  They have a flaw and that flaw is their own emotions.  The gentlest of characters, pure of heart and soul, have a dark side beneath.  They are capable of anger and resentment, even of acts of revenge.
Every character should have a hidden back-story.  This is what gives them life.  Even the smallest bit player should have one.  That waitress who served the coffee looks tired, but really, she is sad.  You don’t have to reveal why she is sad.  That is just one more mystery that gives a little more depth to the scene where the true focus is your protagonist or antagonist.  Make the mystery of the waitress’s personal life draw on the personality of the character who is the true focus.  After all, your character did notice the lines of exhaustion hide a deeper sadness.
Drop hints and clues about your characters’ back-stories.  Make the reader feel they are slowly drawing the character out of their shell and learning just a little bit about them as they progress through the story.  Let the reader be drawn a little at a time into your character’s life, their personality.  Let them yearn for more, drawn to dig deeper into your character’s psyche as you see fit to reveal it.
The reader becomes more familiar with the character with each revelation, feeling a little closer to them like a new friend, wanting to know more.  As you draw out a little more back-story, those secrets add to the drive that pushes the story forward.  That simple story is no longer so simple.  What other secrets do the characters have?  What flaws?  What strengths?  What new lines of drama will wind into the story, adding more layers of sub story?
MEET THE CHARACTERS
Detective Jim McNelly is perhaps the hero of the story, if anyone can be described as such.  He works with missing persons and homicide cases, taking each case personally as his own personal failure for not stopping the victimization of the victim before it could happen.  For a hero, he has a lot of flaws.  He is obese by as a result of his own failings, which is the cause of additional health problems and exacerbates his insomnia, which in turn causes him to feed his obesity.  He is no people person and doesn’t much like most people.
And yet, Jim McNelly honestly cares about his job and the victims.  He has a lot of back-story that has not been revealed, including hints dropped about his wife.
Detective Michael Underwood is a likeable kind of guy.  He is described as being the kind of guy who is just as at ease at grandma’s quilting group as watching sports with the guys.  Even the nervous and suspicious nurse Molly can’t help but feel a tingle of excitement at the idea he could possibly have an interest in her, as impossible as she knows it is.
Michael Underwood is perhaps a bit too obsessed with protecting their victim, an obsession that itself has its own back-story, almost a personality of its own.
Lawrence Hawkworth is an investigative reporter with the InterCity Voice, who is described as being a man of less than moral morals.  And yet he and Jim McNelly have a shared back-story.  He is the one person McNelly would trust with his life, despite McNelly’s dislike for the man.  It’s kind of a love-hate friendship, like unrelated brothers.
Jane Doe, the victim and the sole survivor of the killer’s madness doesn’t even know her own back-story.  Her own weakness, her amnesia, puts her directly on a path to her own destruction.  Or does it?  She has a surprising reserve of personal strength, something gained from her own unknown past.
Kathy Kingslow is a train wreck of a woman.  She is a weak creature who knows only one thing, how to survive an abusive relationship.  She does not even know how to escape one, if she could get up the courage to.  She also has the potential to become one of the most powerful characters in the story, if she can pull herself up off the floor and put a little courage into her spine.  She has a hidden strength, the killer’s own inexorably being drawn to her.
The Killer is nothing but evil, right?  The killer is driven by a compulsion, his reality blurred between past and present, with a dark secret locked in a fractured mind.  But he is also tormented by his own actions and desperate to stop killing.  The search for the killer will lead to his dark secret buried in the past.
The appearance of the mystery man is the embodiment of the ultimate back-story of Where the Bodies Are.  He enters the story just at the moment when the as yet unidentified killer is reaching a plateau of temptation by the dangling bait that is Jane Doe, the one victim who escaped alive.  He quickly becomes McNelly’s prime suspect in the kidnapping and murders of multiple women.   His arrival embodies the pivot point where the story climaxes and the killer is being drawn into the readers’ sight from the shadows of the story.  That back-story is revealed when you take a step back in time with The McAllister Farm to learn the secret behind the bodies.
William McAllister is a hard man.  He demands respect from everyone he encounters and absolute obedience from his family.  His children respect him with the fear of a harsh disciplinarian.  He keeps his family apart from the community around them, not allowing them to have friends or participate in the community.  Visitors to his farm are threatened off, and his children know well the sting of his hand.  William is also absolutely dedicated to the safety and well-being of his family.  As stern as he is, nothing matters more to him than his family.
The entire community is distrustful and hateful towards William for his strange ways, but that does not stop him from doing what he thinks is the right thing to do without hesitation.
Marjorie McAllister is a frightened deer of a woman, always nervously wringing her hands.  She silently disapproves when William strikes the children, not brave enough to stand up to her own husband.  She leans on his strength too.  As desperately lonely as she is, his keeping her apart from her family and community is like a safety net for her.  She does not have to face awkward situations if she never leaves the farm.  But, when push comes to shove, Marjorie finds a hidden well of strength to stand against the hostility of the townspeople against her family.
Jason McAllister is the oldest child of William and Marjorie.  He has the expected problems of a ten year old who is different because his family is different.  He takes the brunt of the community’s sense of his family’s strangeness through his difficult interactions with the kids and teachers as school.  Jason is expected to be more man than child and it weighs heavily on him.  He is a troubled youth, something that his father comes to realize just how deeply troubled in the most disturbing way.
Sophie McAllister is the youngest child and as such has the childhood freedoms and innocence her brother Jason envies and is not afforded.  Naturally, this breeds some resentment in Jason.  She also in a way symbolizes the need each family member feels to protect the family as a whole.  Her very innocence acts as a contrast to the events surrounding her family.
Sheriff Rick Dalton certainly is not a favorite of the community when he fails to both catch the killer stalking young women in the area before another body turns up and listen to the needs of his frightened community.  A man of the cloth is threatened, the school principal is sent scurrying, and everyone except the sheriff seems to know just what kind of a monster the McAllister man is.  Or, Rick Dalton is simply a wise sheriff who knows that what appears to be is not always what is.
Book three, which is still a work in progress, will bring both of these stories together, finally revealing answers to some of the questions left hanging as the characters of both books are brought together in a disturbing conclusion that may very well leave a new trails of bodies.
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Link to reviews of Where the Bodies Are on Angie’s Diary
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