Ben
Hale, author of The Second Draeken War series
and The Chronicles of Lumineia series joins us so
we can dig a little into the psyche of a writer.
Let’s
join Ben in this author interview.
1. Is there an author or book that inspired
you to write, whether to become a writer or just to write a specific story?
Not one
specifically. However, when I was a kid I read a lot. One night as I fell
asleep I decided to come up with my own character. It turned out to be a
relaxing way to fall asleep so I kept doing it. (Twelve year old problems are
so stressful, I know.) This practice
became a habit that continued for almost fifteen years. By then I was married
and my wife asked me why I fell asleep so fast. I responded by telling her I
had a story I thought about. At her request I began to tell it. It was the
first time I had voiced the ideas, and I was quite surprised to realize how
much there was. In spite of her prompting to write it, I did not feel that
writing was within my skill set. Fortunately she overcame my hesitation and the
next thing I knew I had started Elseerian. Because I'd imagined it in such
detail it was easy for me to write, and within a month I realized that the
story I'd thought of would not fit in one book. The Chronicles of Lumineia
began with a single idea and now spans ten books, two series, and ten thousand
years.
2. What is your last story and what made you
want to write it? What was the inspiration, the drive that started the idea for
it?
The last
story I wrote was The Forge of Light, the end of my second series, The White
Mage Saga. It could be compared in some respects to Percy Jackson or Harry
Potter but there is a marked distinction in its scope. I always liked the
stories of magic being hidden in our world, but was curious what would happen
if it became public. What could compel mankind to believe that magic was real?
Who would be strong enough to unite the magical world with the normal world? I
also wanted to explore a blending of a fantasy book with real world military
elements. The series contains mages that fly and stunning magic, and yet
characters that are navy SEALs and a former marine sniper. The combination is
hopefully unique and fun to read.
3. It is the age-old debate: scene setters
vs. seat writers. What is your writing process like? Do you outline
extensively, carefully mapping out your story ahead, or do you just go with the
flow writing as it comes to you?
I am
certainly a planner over a blurter. My outlines span thousands of years,
multiple series, and hundreds of characters. If I didn't outline it I would
lose track, and the story would ultimately crumble. I also practice what I call
layered writing, which means there are more layers to a plot than are first
visible. For example, one of my more subtle plots will ultimately span several
multi-book series before finally being tied into the overall story. Hopefully
it will make the story exciting on subsequent reads as readers discover hints and
connections they had not noticed before.
4. We all know names hold a certain amount
of power to give us all a pre-judged idea of what a person is like. You want to
hate someone just for having the same name as a despised ex, a strong sounding
name makes you think they must be strong, and a name like Poindexter, well you
get the idea. How important are your character names to you? What resource
would you recommend for someone having trouble finding names?
A term I
frequently use is, "The impression given is more important the text
used". The name does not matter as much as the connotation of the name. I
choose names that inspire images of innocence, evil, or morality, to name a few.
Since coming up with names on the spot can be difficult I have become a
collector of names. When I need one, I go to my list and look for one that fits
the character. Google and a thesaurus are always good backups.
5. Each writer has their favorite type of
scene, the kind of scene that just flows naturally for them. Is there a certain
type of scene you find hard to write?
When I
started writing, conversation was difficult for me. It was hard for me to write
it so it did not feel stilted. Writers that excel in conversation can bring
tension and intrigue without drawing on the conflict in the scene, but that was
not my strength from the beginning. Part of my problem was due to a lack of
vocabulary. As my vocabulary has grown I have found that writing conversation
is easier. Now I'm happy to say that writing conversations are much easier
after ten books.
6. If you could give only one piece of
writing advice to an aspiring author, what would it be?
Write, write,
write. Set a goal to write every day and stick to it. It doesn't matter if it's
a couple hundred words or a few thousand. Consistency is what matters.
Professional writers maintain a pace. Also, if I was to choose a second most
important item it would be to edit, edit, edit. My first book I edited 24 times
before I published it, and I still think it's not as good as I would like. It's
good to remember that there is just as much creation in the editing as there is
in the writing.
7. What is your best do or don’t marketing
tip?
Time is the
most precious commodity for a writer, so don't waste it. I've met authors that
are engaged in endless marketing of a single book, and end up writing very
little. The more you write the more you have to sell, and the more your
marketing efforts matter. Keep your marketing time to a minimum by remembering
one thing; a book release is the biggest marketing event you can have.
8. What is your pet peeve when it comes to
writing? It could be about any part from the writing process to publication,
marketing, fans, etc.
The
perception that it is free. With indie publishing it is now possible to publish
for free, but that does not mean the preparation is. Invest in an editor, cover
designer, and if needed, a book coach. It costs money to do it right because
you are investing into something. The lack of knowledge and quality can cost you
a career as a writer.
9. Reviews can drive writers to distraction;
looking for them, yearning to get them, and scared of getting them. At the same
time it takes a certain kind of reader to put themselves out there and actually
post a review. How do you go about encouraging your readers to rate your books
or stories and post reviews? How do you respond when you get a negative review?
I make an
effort not to solicit reviews. That said, I do request one if someone has said
they liked my books. The unfortunate truth is that reviews carry a lot of
weight—especially the negative ones. Some reviews are given because the reader
didn't like you, or they read a couple of pages and tossed your book aside in
favor of another interest. The good news is that reviews tell you things, and
you should listen to them. Even the bad ones give you an idea of how your
writing is perceived. Again, perception is more important that the actual words—and
far more important than the idea itself. Your idea as a writer may be stunning,
but it will not matter unless it is perceived as such.
10. And finally, the question every author’s
fan wants to now: What are you working on now? What is your next published
project going to be?
I haven't
announced it yet, but I have started a new trilogy in the Chronicles of
Lumineia. I will say it follows a fan favorite, and that he is a rock troll. Feel
free to post a guess on my facebook page! I hope to write and publish his
trilogy this year. With five kids and starting a Masters program, it's going to
be a busy 2015 for me. Good luck to all of you in your own works, and feel free
to contact me if you are looking for a book coach.
You can find Ben Hale and his books on his Amazon author page.
Visit Ben Hale’s website at The World of Lumineia
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